This website uses cookies to obtain statistical data about its users browsing habits. If you continue browsing we consider you accept their use.
You will always be able to revoke your consent and get more information
here.
After a wonderful summer at her grandmother's house, there was very little time left–an hour or a bit less–before Clara's mother came to get her. The little girl felt drowsy not doing anything, and she longed to be able to make a return visit to the house where she had had such a good time and got up to all kinds of adventures. To shake off Clara's feelings of boredom, her grandmother suggested that she go up to the attic to embark on one last adventure: a mysterious journey into the world of art.
After a wonderful summer at her grandmother's house, there was very little time left–an hour or a bit less–before Clara's mother came to get her. The little girl felt drowsy not doing anything, and she longed to be able to make a return visit to the house where she had had such a good time and got up to all kinds of adventures. To shake off Clara's feelings of boredom, her grandmother suggested that she go up to the attic to embark on one last adventure: a mysterious journey into the world of art.
After a wonderful summer at her grandmother's house, there was very little time left–an hour or a bit less–before Clara's mother came to get her. The little girl felt drowsy not doing anything, and she longed to be able to make a return visit to the house where she had had such a good time and got up to all kinds of adventures. To shake off Clara's feelings of boredom, her grandmother suggested that she go up to the attic to embark on one last adventure: a mysterious journey into the world of art.
After a wonderful summer at her grandmother's house, there was very little time left–an hour or a bit less–before Clara's mother came to get her. The little girl felt drowsy not doing anything, and she longed to be able to make a return visit to the house where she had had such a good time and got up to all kinds of adventures. To shake off Clara's feelings of boredom, her grandmother suggested that she go up to the attic to embark on one last adventure: a mysterious journey into the world of art.
In the 1960s, Mick Jagger, Keith Richards, John Lennon and Paul McCartney were all as popular as the Queen of England. The Beatles and The Rolling Stones revolutionised social norms, pioneering a hitherto unseen process of cultural and artistic change. At this concert, the Barcelona Symphony Band offers a selection of some of the best-known hits by the two British groups; songs which also made an impact on a whole generation of young people in Catalonia.
After a wonderful summer at her grandmother's house, there was very little time left–an hour or a bit less–before Clara's mother came to get her. The little girl felt drowsy not doing anything, and she longed to be able to make a return visit to the house where she had had such a good time and got up to all kinds of adventures. To shake off Clara's feelings of boredom, her grandmother suggested that she go up to the attic to embark on one last adventure: a mysterious journey into the world of art.
In the 1960s, Mick Jagger, Keith Richards, John Lennon and Paul McCartney were all as popular as the Queen of England. The Beatles and The Rolling Stones revolutionised social norms, pioneering a hitherto unseen process of cultural and artistic change. At this concert, the Barcelona Symphony Band offers a selection of some of the best-known hits by the two British groups; songs which also made an impact on a whole generation of young people in Catalonia.
In the colossal Resurrection symphony, Gustav Mahler sets out from the vast orchestral ensemble used on Titan to broaden it with the introduction of the human voice, with the use of soloists and choir, a feature that would be characteristic of his later symphonies. It is also the first work in which Mahler uses texts from the collection Des Knaben Wunderhorn: Alte deutsche Lieder (The Youth’s Magic Horn: Old German Songs), a set of traditional German poems and songs compiled in 1805 which became an inexhaustible source of resources for his production.
In the colossal Resurrection symphony, Gustav Mahler sets out from the vast orchestral ensemble used on Titan to broaden it with the introduction of the human voice, with the use of soloists and choir, a feature that would be characteristic of his later symphonies. It is also the first work in which Mahler uses texts from the collection Des Knaben Wunderhorn: Alte deutsche Lieder (The Youth’s Magic Horn: Old German Songs), a set of traditional German poems and songs compiled in 1805 which became an inexhaustible source of resources for his production.
In the colossal Resurrection symphony, Gustav Mahler sets out from the vast orchestral ensemble used on Titan to broaden it with the introduction of the human voice, with the use of soloists and choir, a feature that would be characteristic of his later symphonies. It is also the first work in which Mahler uses texts from the collection Des Knaben Wunderhorn: Alte deutsche Lieder (The Youth’s Magic Horn: Old German Songs), a set of traditional German poems and songs compiled in 1805 which became an inexhaustible source of resources for his production.
After a wonderful summer at her grandmother's house, there was very little time left–an hour or a bit less–before Clara's mother came to get her. The little girl felt drowsy not doing anything, and she longed to be able to make a return visit to the house where she had had such a good time and got up to all kinds of adventures. To shake off Clara's feelings of boredom, her grandmother suggested that she go up to the attic to embark on one last adventure: a mysterious journey into the world of art.
After a wonderful summer at her grandmother's house, there was very little time left–an hour or a bit less–before Clara's mother came to get her. The little girl felt drowsy not doing anything, and she longed to be able to make a return visit to the house where she had had such a good time and got up to all kinds of adventures. To shake off Clara's feelings of boredom, her grandmother suggested that she go up to the attic to embark on one last adventure: a mysterious journey into the world of art.
After a wonderful summer at her grandmother's house, there was very little time left–an hour or a bit less–before Clara's mother came to get her. The little girl felt drowsy not doing anything, and she longed to be able to make a return visit to the house where she had had such a good time and got up to all kinds of adventures. To shake off Clara's feelings of boredom, her grandmother suggested that she go up to the attic to embark on one last adventure: a mysterious journey into the world of art.
After a wonderful summer at her grandmother's house, there was very little time left–an hour or a bit less–before Clara's mother came to get her. The little girl felt drowsy not doing anything, and she longed to be able to make a return visit to the house where she had had such a good time and got up to all kinds of adventures. To shake off Clara's feelings of boredom, her grandmother suggested that she go up to the attic to embark on one last adventure: a mysterious journey into the world of art.
After a wonderful summer at her grandmother's house, there was very little time left–an hour or a bit less–before Clara's mother came to get her. The little girl felt drowsy not doing anything, and she longed to be able to make a return visit to the house where she had had such a good time and got up to all kinds of adventures. To shake off Clara's feelings of boredom, her grandmother suggested that she go up to the attic to embark on one last adventure: a mysterious journey into the world of art.
After a wonderful summer at her grandmother's house, there was very little time left–an hour or a bit less–before Clara's mother came to get her. The little girl felt drowsy not doing anything, and she longed to be able to make a return visit to the house where she had had such a good time and got up to all kinds of adventures. To shake off Clara's feelings of boredom, her grandmother suggested that she go up to the attic to embark on one last adventure: a mysterious journey into the world of art.
After a wonderful summer at her grandmother's house, there was very little time left–an hour or a bit less–before Clara's mother came to get her. The little girl felt drowsy not doing anything, and she longed to be able to make a return visit to the house where she had had such a good time and got up to all kinds of adventures. To shake off Clara's feelings of boredom, her grandmother suggested that she go up to the attic to embark on one last adventure: a mysterious journey into the world of art.
After a wonderful summer at her grandmother's house, there was very little time left–an hour or a bit less–before Clara's mother came to get her. The little girl felt drowsy not doing anything, and she longed to be able to make a return visit to the house where she had had such a good time and got up to all kinds of adventures. To shake off Clara's feelings of boredom, her grandmother suggested that she go up to the attic to embark on one last adventure: a mysterious journey into the world of art.
After a wonderful summer at her grandmother's house, there was very little time left–an hour or a bit less–before Clara's mother came to get her. The little girl felt drowsy not doing anything, and she longed to be able to make a return visit to the house where she had had such a good time and got up to all kinds of adventures. To shake off Clara's feelings of boredom, her grandmother suggested that she go up to the attic to embark on one last adventure: a mysterious journey into the world of art.
After a wonderful summer at her grandmother's house, there was very little time left–an hour or a bit less–before Clara's mother came to get her. The little girl felt drowsy not doing anything, and she longed to be able to make a return visit to the house where she had had such a good time and got up to all kinds of adventures. To shake off Clara's feelings of boredom, her grandmother suggested that she go up to the attic to embark on one last adventure: a mysterious journey into the world of art.
After a wonderful summer at her grandmother's house, there was very little time left–an hour or a bit less–before Clara's mother came to get her. The little girl felt drowsy not doing anything, and she longed to be able to make a return visit to the house where she had had such a good time and got up to all kinds of adventures. To shake off Clara's feelings of boredom, her grandmother suggested that she go up to the attic to embark on one last adventure: a mysterious journey into the world of art.
After a wonderful summer at her grandmother's house, there was very little time left–an hour or a bit less–before Clara's mother came to get her. The little girl felt drowsy not doing anything, and she longed to be able to make a return visit to the house where she had had such a good time and got up to all kinds of adventures. To shake off Clara's feelings of boredom, her grandmother suggested that she go up to the attic to embark on one last adventure: a mysterious journey into the world of art.
After a wonderful summer at her grandmother's house, there was very little time left–an hour or a bit less–before Clara's mother came to get her. The little girl felt drowsy not doing anything, and she longed to be able to make a return visit to the house where she had had such a good time and got up to all kinds of adventures. To shake off Clara's feelings of boredom, her grandmother suggested that she go up to the attic to embark on one last adventure: a mysterious journey into the world of art.
After a wonderful summer at her grandmother's house, there was very little time left–an hour or a bit less–before Clara's mother came to get her. The little girl felt drowsy not doing anything, and she longed to be able to make a return visit to the house where she had had such a good time and got up to all kinds of adventures. To shake off Clara's feelings of boredom, her grandmother suggested that she go up to the attic to embark on one last adventure: a mysterious journey into the world of art.
After a wonderful summer at her grandmother's house, there was very little time left–an hour or a bit less–before Clara's mother came to get her. The little girl felt drowsy not doing anything, and she longed to be able to make a return visit to the house where she had had such a good time and got up to all kinds of adventures. To shake off Clara's feelings of boredom, her grandmother suggested that she go up to the attic to embark on one last adventure: a mysterious journey into the world of art.
After a wonderful summer at her grandmother's house, there was very little time left–an hour or a bit less–before Clara's mother came to get her. The little girl felt drowsy not doing anything, and she longed to be able to make a return visit to the house where she had had such a good time and got up to all kinds of adventures. To shake off Clara's feelings of boredom, her grandmother suggested that she go up to the attic to embark on one last adventure: a mysterious journey into the world of art.
After a wonderful summer at her grandmother's house, there was very little time left–an hour or a bit less–before Clara's mother came to get her. The little girl felt drowsy not doing anything, and she longed to be able to make a return visit to the house where she had had such a good time and got up to all kinds of adventures. To shake off Clara's feelings of boredom, her grandmother suggested that she go up to the attic to embark on one last adventure: a mysterious journey into the world of art.
After a wonderful summer at her grandmother's house, there was very little time left–an hour or a bit less–before Clara's mother came to get her. The little girl felt drowsy not doing anything, and she longed to be able to make a return visit to the house where she had had such a good time and got up to all kinds of adventures. To shake off Clara's feelings of boredom, her grandmother suggested that she go up to the attic to embark on one last adventure: a mysterious journey into the world of art.
After a wonderful summer at her grandmother's house, there was very little time left–an hour or a bit less–before Clara's mother came to get her. The little girl felt drowsy not doing anything, and she longed to be able to make a return visit to the house where she had had such a good time and got up to all kinds of adventures. To shake off Clara's feelings of boredom, her grandmother suggested that she go up to the attic to embark on one last adventure: a mysterious journey into the world of art.
The main linchpins of this programme are two of Mozart's most famous symphonies: the dramatic, tempestuous, syncopated Symphony No. 25 and the forceful, tragically majestic Symphony No. 38; a work premiered in Prague during the same period as Don Giovanni, given the triumphal success of performances of The Marriage of Figaro in the city.
This season, the soloists awarded a Salvat Bach grant and the Festival Bachcelona choir and consort will be conducted by legendary figure Ton Koopman. The audience will be able to enjoy two cantatas, in direct dialogue, by the virtuoso Leipzig kantor. They are Meine Seel erhebt den Herren BWV 10 (My soul now magnifies the Lord) and Herz und Mund und Tat und Leben BWV 147 (The heart and mouth and deed and life), one of the most popular, best-known cantatas, mainly for the sparkling, radiant final chorale Jesus bleibet meine Freude (Jesu, joy of man's desiring). The two cantatas include trumpets among the instruments, adding a splendid, festive tone especially suited to the liturgical celebration of the Visitation, for which they were conceived and written.
The solemn, compact overture to La Clemenza di Tito (The Clemency of Titus) is a final yet quintessential example of one of the most characteristic, human traits in Mozart's music: nobility of spirit. The same might also be said of his Violin Concerto No. 3, even though it was written in his youth (which never actually determines anything in the case of the Salzburg composer): a dynamic piece that fully reflects the gallant mood of the time.
The superb, eclectic French coloratura soprano, Patricia Petibon, and the versatile, multifaceted, meticulous Dani Espasa join forces with the OBC in a truly classic programme featuring works by Gluck, Mozart and Baguer, three leading names in musical classicism. Christoph Willibald Gluck is one of the earliest leading exponents of the Viennese style and his influence was the most significant, particularly in the field of opera, which he helped to reform by abandoning baroque traditions. Mozart evidently needs no introduction, while Carles Baguer– the great Iberian symphony composer of the time (our Haydn)–skilfully combined the finest strengths and virtues of Italian and German repertoires in his works.
Come to the L’Auditori and discover the musical world of one of the greatest painters of the 20th century. Pablo Picasso brings us closer to flamenco, the music of modernist Barcelona, the Russian ballets and even the couplet and the French chanson.
Want the resources to develop your child’s first musical skills and to share this moment with us? We’ll accompany you in this process that will enrich the whole family... A musical proposal for awakening their senses!
Babies too should have their entrance ticket.
Soon
15Oct
WORKSHOP FOR BABIES
SALA 4 - ALICIA DE LARROCHA
Saturday, 15/10/2022 11:45
Want the resources to develop your child’s first musical skills and to share this moment with us? We’ll accompany you in this process that will enrich the whole family... A musical proposal for awakening their senses!
Babies too should have their entrance ticket.
Soon
15Oct
WORKSHOP FOR BABIES
SALA 4 - ALICIA DE LARROCHA
Saturday, 15/10/2022 16:00
Want the resources to develop your child’s first musical skills and to share this moment with us? We’ll accompany you in this process that will enrich the whole family... A musical proposal for awakening their senses!
Babies too should have their entrance ticket.
Soon
15Oct
WORKSHOP FOR BABIES
SALA 4 - ALICIA DE LARROCHA
Saturday, 15/10/2022 17:15
Want the resources to develop your child’s first musical skills and to share this moment with us? We’ll accompany you in this process that will enrich the whole family... A musical proposal for awakening their senses!
Babies too should have their entrance ticket.
Soon
16Oct
WORKSHOP FOR BABIES
SALA 4 - ALICIA DE LARROCHA
Sunday, 16/10/2022 10:30
Want the resources to develop your child’s first musical skills and to share this moment with us? We’ll accompany you in this process that will enrich the whole family... A musical proposal for awakening their senses!
Babies too should have their entrance ticket.
Soon
16Oct
WORKSHOP FOR BABIES
SALA 4 - ALICIA DE LARROCHA
Sunday, 16/10/2022 11:45
Want the resources to develop your child’s first musical skills and to share this moment with us? We’ll accompany you in this process that will enrich the whole family... A musical proposal for awakening their senses!
Babies too should have their entrance ticket.
Soon
16Oct
WORKSHOP FOR BABIES
SALA 4 - ALICIA DE LARROCHA
Sunday, 16/10/2022 16:00
Want the resources to develop your child’s first musical skills and to share this moment with us? We’ll accompany you in this process that will enrich the whole family... A musical proposal for awakening their senses!
Babies too should have their entrance ticket.
Soon
16Oct
WORKSHOP FOR BABIES
SALA 4 - ALICIA DE LARROCHA
Sunday, 16/10/2022 17:15
Want the resources to develop your child’s first musical skills and to share this moment with us? We’ll accompany you in this process that will enrich the whole family... A musical proposal for awakening their senses!
The works of the composer from Salzburg, performed by six musicians with instruments from all the families: voice, accordion, bass clarinet, violin, flügelhorn and plucked string instruments. The arrangements are based on the music of Mozart, with styles, rhythms and harmonies more typical of today’s musical sensibilities. The costumes, staging, and antics of the performers keep the audience enthralled from start to finish.
A musical journey to discover a world full of sensations, sounds and melodies that will be stored in your child’s auditory and sensory memory. Because we want their first concert at L’Auditori to be a unique and unforgettable experience!
Babies deserve a ticket too.
Soon
19Nov
MA, ME, MI...MOZART!
SALA 2 - ORIOL MARTORELL
Saturday, 19/11/2022 17:00
The works of the composer from Salzburg, performed by six musicians with instruments from all the families: voice, accordion, bass clarinet, violin, flügelhorn and plucked string instruments. The arrangements are based on the music of Mozart, with styles, rhythms and harmonies more typical of today’s musical sensibilities. The costumes, staging, and antics of the performers keep the audience enthralled from start to finish.
A musical journey to discover a world full of sensations, sounds and melodies that will be stored in your child’s auditory and sensory memory. Because we want their first concert at L’Auditori to be a unique and unforgettable experience!
A musical journey to discover a world full of sensations, sounds and melodies that will be stored in your child’s auditory and sensory memory. Because we want their first concert at L’Auditori to be a unique and unforgettable experience!
A musical journey to discover a world full of sensations, sounds and melodies that will be stored in your child’s auditory and sensory memory. Because we want their first concert at L’Auditori to be a unique and unforgettable experience!
The works of the composer from Salzburg, performed by six musicians with instruments from all the families: voice, accordion, bass clarinet, violin, flügelhorn and plucked string instruments. The arrangements are based on the music of Mozart, with styles, rhythms and harmonies more typical of today’s musical sensibilities. The costumes, staging, and antics of the performers keep the audience enthralled from start to finish.
A musical journey to discover a world full of sensations, sounds and melodies that will be stored in your child’s auditory and sensory memory. Because we want their first concert at L’Auditori to be a unique and unforgettable experience!
Sharing the same stage will be Sleeping Beauty, Patufet (Catalan folktale), Beauty and the Beast and many other protagonists of the children’s stories that inspired Ravel to compose one of his most original works.
Step out of the cage and dare to enter a world where sound, noise and silence are arranged to create music. Share the journey through this limitless sound universe with four percussionists who stage 21st-century compositions based on the artistic imagination of one of the 20th-century's greatest figures: John Cage (1912-1992). Leave any preconceptions behind and open up your senses. Expect the unexpected.
Step out of the cage and dare to enter a world where sound, noise and silence are arranged to create music. Share the journey through this limitless sound universe with four percussionists who stage 21st-century compositions based on the artistic imagination of one of the 20th-century's greatest figures: John Cage (1912-1992). Leave any preconceptions behind and open up your senses. Expect the unexpected.
Step out of the cage and dare to enter a world where sound, noise and silence are arranged to create music. Share the journey through this limitless sound universe with four percussionists who stage 21st-century compositions based on the artistic imagination of one of the 20th-century's greatest figures: John Cage (1912-1992). Leave any preconceptions behind and open up your senses. Expect the unexpected.
Soon
You are about to logout. The content of your shopping basking will be lost.
You have not added anything to your shopping basket yet.
Start your purchase using any of the following options:
Couldn't connect with the event provider.
If you have purchased or received a gift card, enter its code here to check its available balance: